gce model questions vol1 2018 literature_in_english | Objective

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Question 1 View Details
Identify the poet of the following lines: "Two roads diverged in a yellow wood, And I—took the one less travelled by."
A. Emily Dickinson
Correct B. Robert Frost
C. Walt Whitman
D. Langston Hughes

Correct Answer: B

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Question 2 View Details
The poem below repeats a three‑line refrain (lines 1, 4 and 7). Among the remaining lines, how many are enjambed (i.e., end without terminal punctuation)? 1. The night descends, a velvet cloak, 2. Stars whisper secrets to the sea 3. while tides obey their silent plea. 4. The night descends, a velvet cloak, 5. Waves crash, breaking ancient dreams 6. and gulls scream over shattered foam. 7. The night descends, a velvet cloak, 8. Moonlight drips like honeyed rain 9. upon the shore's cold, waiting stone.
Correct A. 3
B. 5
C. 4
D. 2

Correct Answer: A

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Question 3 View Details
Read the excerpt from *The Great Gatsby*: "I was within and without, simultaneously a part of the party and an observer, feeling both exhilarated and detached." Identify two character traits of the narrator that are evident in this passage and give one piece of textual evidence for each trait.
A. empathetic (evidenced by "within and without" and "an observer"), aloof (evidenced by "detached")
B. indifferent (evidenced by "within and without"), reflective (evidenced by "detached")
Correct C. observant (evidenced by "within and without" and "an observer"), detached (evidenced by "detached")
D. detached (evidenced by "within and without"), observant (evidenced by "detached")

Correct Answer: C

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Question 4 View Details
Consider the eight‑line stanza below: 1. Upon the hill the sunrise paints the light, 2. A golden hue that wakes the sleeping night, 3. The sparrows trill, their chorus bright and free, 4. While shadows linger, whispering of sea, 5. The market stalls burst forth with fragrant spice and song, 6. Loud voices barter, laughter fills the air, 7. Yet in my heart a quiet storm does rise, 8. And peace retreats, as dusk begins to glare. Determine the rhyme scheme of the stanza and calculate the percentage of lines written in iambic pentameter (round to one decimal place).
A. AB BA CC DD, 100.0%
Correct B. AA BB CC DD, 87.5%
C. AA AB CC DD, 62.5%
D. AB AB CD CD, 75.0%

Correct Answer: B

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Question 5 View Details
The following excerpt is taken from *Lord of the Flies*: "Ralph's voice rose above the clamor, but Jack's angry shout cut through it, and the boys scattered, each choosing a side." Identify the type of conflict depicted and name the two parties involved.
A. External conflict - man vs society (Ralph vs the group)
Correct B. External conflict - man vs man (Ralph vs Jack)
C. Internal conflict - man vs self (Ralph)
D. External conflict - man vs nature (Ralph vs the island)

Correct Answer: B

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Question 6 View Details
In the narrative of *The Great Gatsby*, the moment when Gatsby's parties cease (Chapter 8) marks a shift in the plot. According to Freytag's pyramid, which stage of the plot does this moment represent? Support your answer by naming the two preceding events that create the necessary tension for this stage.
A. Rising action
B. Resolution
Correct C. Falling action
D. Climax

Correct Answer: C

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Question 7 View Details
In Scene 5 of *A Streetcar Named Desire*, Blanche clings to the paper lantern. Identify the two distinct functions the lantern serves in this scene and explain how each function deepens our understanding of Blanche's psychological state.
Correct A. It conceals the harsh light, preserving her illusion; it symbolizes the fragility of her pretence, revealing her vulnerability
B. It serves as a decorative prop, highlighting the setting's decadence; it signals the passage of time, emphasizing the play's chronology
C. It provides a source of illumination for the room, enhancing realism; it acts as a symbol of wealth, indicating social status
D. It diffuses the bright light, creating a romantic ambience; it represents the fleeting nature of hope, underscoring her desperation

Correct Answer: A

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Question 8 View Details
The theme of civilisation versus savagery in *Lord of the Flies* is conveyed through three recurring symbols. List these symbols in the order they first appear and state the specific aspect of the theme each symbol represents.
A. The island's beach - isolation and freedom; The conch - power and control; The ‘Lord of the Flies' - the descent into madness
B. The signal fire - hope and rescue; Piggy's glasses - vision and insight; The beast's roar - the fear that drives savagery
C. Conch - unity and collective decision‑making; The hunters' spears - violence and dominance; The ‘Lord of the Flies' (the pig's head) - loss of civilization
Correct D. Conch - order and democratic authority; Piggy's glasses - technology and the power of reason; The ‘Lord of the Flies' (the pig's head) - the emergence of primal savagery

Correct Answer: D

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Question 9 View Details
The turning point of *Jane Eyre* occurs when Jane discovers Mr. Rochester's hidden wife. Which narrative clue first hints at this secret, and how does it foreshadow the later revelation? Provide the clue and a brief explanation.
A. The sudden cold draft in the drawing‑room; it hints at a supernatural element but does not specifically point to Bertha Mason
Correct B. The strange laughter heard from the attic; it foreshadows the presence of a concealed woman (Bertha Mason) by hinting at an unseen, disturbed presence within the house
C. A portrait of a stern woman in the hallway; it implies a strict matriarch but actually refers to Mrs. Reed, not Rochester's hidden wife
D. A locked door at the top of the stairs; it suggests a hidden secret but relates to Mr. Rochester's past crimes rather than his wife

Correct Answer: B

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Question 10 View Details
Khaled Hosseini employs a non‑linear narrative in *The Kite Runner*. Identify the specific technique he uses to shift from the present to the past in Chapter 1, and explain how this technique affects the reader's perception of Amir's guilt.
A. A dream sequence about kite‑running; it abstracts the guilt into a symbolic vision rather than a concrete memory.
B. A chronological recount of events without any flashback; it keeps the focus on present actions, reducing the sense of Amir's guilt.
C. A letter from Hassan describing past events; it shifts perspective but does not directly involve Amir's personal recollection.
Correct D. A flashback triggered by the kite‑running memory; it immerses the reader in the childhood incident that created Amir's guilt, making the remorse feel immediate and personal

Correct Answer: D

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Question 11 View Details
Read the following passage from F. Scott Fitzgerald's *The Great Gatsby*: "The eyes of Doctor T. J. Eckleburg, blue and enormous, stared down upon the desolate landscape, where the ash‑grey dust lay thick as a blanket, and the wind whispered through the broken windows of the abandoned houses." What is the dominant mood conveyed in this passage? Support your answer by identifying two specific linguistic features that create this mood.
A. The dominant mood is hopeful (optimistic). The passage creates this feeling through the bright colour "blue" of the eyes and the image of dust "laying thick as a blanket", implying protection and renewal.
B. The dominant mood is nostalgic (wistful). It is suggested by the gentle description of "blue and enormous" eyes and the soft reference to "wind whispered", which together evoke a longing for the past.
Correct C. The dominant mood is bleak (melancholic). It is created by the vivid visual imagery of "ash‑grey dust" and "desolate landscape" and by the personification of the eyes that "stared down", which together produce an oppressive atmosphere.
D. The dominant mood is eerie (foreboding). This is achieved by the mention of "broken windows" and the personified eyes that "stared down", which together hint at a supernatural presence.

Correct Answer: C

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Question 12 View Details
Both Nathaniel Hawthorne's *The Scarlet Letter* and William Golding's *Lord of the Flies* employ the colour red as a symbol. Explain how the symbol of red functions differently in each novel, and state what each usage reveals about the author's view of human nature.
A. In *The Scarlet Letter*, red (the scarlet ‘A') stands for passionate love and personal freedom, showing Hawthorne's belief that individual desire can triumph over social constraints. In *Lord of the Flies*, red (the hunters' blood) represents the boys' yearning for civilization, indicating Golding's view that humans are innately cooperative.
B. In *The Scarlet Letter*, red (the scarlet ‘A') symbolizes wealth and social status, suggesting Hawthorne's view that morality is tied to economic power. In *Lord of the Flies*, red (the pig's head) denotes the boys' fear of authority, revealing Golding's belief that fear, not savagery, drives human behavior.
C. In *The Scarlet Letter*, red (the scarlet ‘A') is a sign of redemption and forgiveness, reflecting Hawthorne's optimism about moral improvement. In *Lord of the Flies*, red (the blood on the hunters) illustrates the boys' heroic sacrifice, showing Golding's belief that humanity's strength lies in self‑sacrifice.
Correct D. In *The Scarlet Letter*, red (the scarlet ‘A') symbolizes sin, guilt and social ostracism, revealing Hawthorne's view that morality is largely imposed by society. In *Lord of the Flies*, red (the blood on the hunters and the pig's head) symbolizes primal violence and loss of innocence, revealing Golding's belief that human nature contains an inherent capacity for savagery.

Correct Answer: D

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Question 13 View Details
Read the excerpt from Charlotte Brontë's *Jane Eyre*: "I have been a wanderer, Miss Eyre; I have known the taste of freedom and the bitterness of regret." Identify one character trait of Mr. Rochester demonstrated in this passage and cite two textual clues that support your identification.
Correct A. Trait: Restlessness (or melancholy). Clues: the self‑description as a "wanderer" and the contrast between "the taste of freedom" and "the bitterness of regret" both reveal his unsettled, reflective nature.
B. Trait: Compassion. Clues: the reference to "wanderer" suggests empathy for others and the mention of "taste of freedom" indicates generosity.
C. Trait: Ambition. Clues: the desire for "freedom" and the regret imply a drive to achieve status.
D. Trait: Stubbornness. Clues: the self‑description as a "wanderer" and the contrast between "freedom" and "regret" show a refusal to change.

Correct Answer: A

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Question 14 View Details
Compare how the narrators in J. D. Salinger's *The Catcher in the Rye* and James Joyce's *A Portrait of the Artist as a Young Man* are characterised through their internal monologues. Identify one similarity and one difference in the way each author uses the monologue to reveal character.
A. Similarity: Both internal monologues rely on dialogue with other characters. Difference: Holden's speech is lyrical, whereas Stephen's is terse and slang‑filled.
Correct B. Similarity: Both internal monologues employ stream‑of‑consciousness to reveal the narrators' alienation and inner conflict. Difference: Holden's monologue is colloquial, defensive and slang‑filled, reflecting teenage cynicism, while Stephen's is lyrical, reflective and experimental, underscoring his artistic ambition.
C. Similarity: Both narrators use first‑person narration to describe daily routines. Difference: Holden's monologue is formal and poetic, while Stephen's is informal and fragmented.
D. Similarity: Both employ flashbacks to reveal past events. Difference: Holden's monologue is structured chronologically, while Stephen's jumps between time periods randomly.

Correct Answer: B

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Question 15 View Details
In the following excerpt from Martin Luther King Jr.'s *I Have a Dream* speech, identify the rhetorical device employed and discuss how it shapes the overall persuasive appeal of the speech: "I have a dream that one day this nation will rise up and live out the true meaning of its creed; I have a dream that one day the red hills of Georgia will be … I have a dream that my four little children will one day live in a nation where they will not be judged by the colour of their skin but by the content of their character."
A. The device is chiasmus - the inverted ordering of phrases like "rise up and live out" mirrors earlier clauses, producing a balanced structure that emphasizes the ethical appeal (ethos) of the speech.
Correct B. The device is anaphora - the repeated opening phrase "I have a dream". It creates a rhythmic, emphatic cadence that heightens emotional impact (pathos) and underscores King's steadfast vision (ethos), thereby strengthening the speech's persuasive power.
C. The device is parallelism - the repeated grammatical structure "one day … will …" builds a steady rhythm that reinforces the speaker's logical argument (logos) and adds clarity to his message.
D. The device is antithesis - the contrast between opposing ideas such as "rise up" and "live out" creates a logical tension that appeals to reason (logos) and highlights the moral urgency of the speech.

Correct Answer: B

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Question 16 View Details
Read the following five‑line excerpt: 1. I had never seen the sea before that summer. 2. The waves whispered secrets as we walked along the shore. 3. He laughed, saying the tide would bring us luck. 4. The town's old lighthouse stood silent, its beam cutting the night. 5. They all felt the wind change, and I knew the storm was coming. At which line does the narrative perspective shift from first‑person to third‑person?
A. 2
Correct B. 3
C. 4
D. 5

Correct Answer: B

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Question 17 View Details
A story is set in a future society where a totalitarian government monitors every citizen through implanted chips, and the main character joins an underground movement to overthrow the regime. Which literary genre does this description best represent?
A. Fantasy
Correct B. Dystopian fiction
C. Utopian fiction
D. Science fiction

Correct Answer: B

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Question 18 View Details
In the line "The thunder clapped like a giant's fist, shaking the windows," which literary device is employed?
Correct A. Simile
B. Metaphor
C. Personification
D. Alliteration

Correct Answer: A

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Question 19 View Details
In a novel, the protagonist is born in \(1847\) in a rural English village. Later, she moves to London in the year when the Great Exhibition opened. What year did she move to London, and how many years after her birth was this?
Correct A. 1851, 4
B. 1852, 5
C. 1850, 3
D. 1860, 13

Correct Answer: A

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Question 20 View Details
Consider the following stage directions and dialogue: [Scene opens. Light up. Enter Miriam, John.] Miriam: "We must act now." [John exits. Miriam looks at the audience.] Miriam: "The truth cannot hide." [Enter Sarah. Miriam and Sarah speak.] Miriam: "Together we stand." [Lights dim. Miriam exits.] [Lights rise. Enter Miriam again, alone.] Miriam: "The end is near." [Final curtain falls.] How many times does the character Miriam enter the stage before the final curtain?
A. 4
Correct B. 2
C. 1
D. 3

Correct Answer: B

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Question 21 View Details
In F. Scott Fitzgerald's *The Great Gatsby*, the green light at the end of Daisy's dock and the valley of ashes are both prominent images. Identify the symbolic meaning of the green light, explain how it contrasts with the symbolism of the valley of ashes, and deduce what this contrast reveals about the author's view of the American Dream.
A. The green light symbolizes wealth and social status, while the valley of ashes symbolizes the natural beauty of the countryside; their contrast shows that Fitzgerald views the American Dream as a celebration of prosperity.
B. The green light represents Daisy's love for Gatsby, whereas the valley of ashes represents the hope of renewal; their contrast indicates that Fitzgerald believes the American Dream can be restored through love.
C. The green light stands for the moral purity of the characters, while the valley of ashes stands for the inevitable decline of society; their contrast suggests that Fitzgerald thinks the American Dream is an unattainable moral ideal.
Correct D. The green light symbolizes Gatsby's unattainable hope and future, while the valley of ashes symbolizes moral decay and the emptiness of materialism; their contrast shows that Fitzgerald sees the American Dream as a corrupted illusion.

Correct Answer: D

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Question 22 View Details
Read the following excerpt: "We must rise, we must speak, we must act. The nation is a ship tossed on a stormy sea, yet we cling to the illusion of freedom while the very walls we build crumble around us." Identify three distinct language techniques used in the passage, explain the effect each has on the overall tone, and evaluate which technique most strongly contributes to the passage's persuasive power, giving a brief justification.
A. The passage uses parallelism (\"we must...\"), symbolism (\"nation is a ship...\"), and understatement (\"illusion of freedom\"); parallelism creates a humorous tone and most powerfully drives persuasion by adding comedic effect.
B. The passage uses repetition (\"we must...\"), personification (\"nation is a ship...\"), and hyperbole (\"illusion of freedom\"); repetition creates a calm, reflective tone and most powerfully drives persuasion by emphasizing the author's calm reasoning.
Correct C. The passage uses anaphora ("we must..."), metaphor ("nation is a ship..."), and irony ("illusion of freedom"); anaphora creates an urgent, forceful tone and most powerfully drives persuasion by repeatedly reinforcing the call to action.
D. The passage uses alliteration (\"we must...\"), simile (\"nation is a ship...\"), and sarcasm (\"illusion of freedom\"); alliteration creates a rhythmic tone and most powerfully drives persuasion by making the sentence memorable.

Correct Answer: C

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Question 23 View Details
Consider the following two excerpts: 1. *Macbeth* (Act 5, Scene 5): "Tomorrow, and tomorrow, and tomorrow, creeps in this petty pace from day to day, and all our yesterdays have lighted but a candle in the night." 2. *The Catcher in the Rye* (Chapter 14): "I felt like I was standing on a cliff, the wind blowing, and I could see the whole city spread out below, but I didn't know which way to go." Compare the narrative style of the two passages, focusing on syntax, diction, and imagery. Which style more effectively conveys internal conflict, and why?
Correct A. Shakespeare's style - its tight, repetitive syntax, archaic diction and the candle‑in‑the‑night imagery - conveys internal conflict more forcefully than the modern, conversational prose.
B. Both styles equally convey internal conflict; Shakespeare's tight syntax and modern prose's vivid imagery balance each other.
C. Salinger's style - its fragmented sentences, colloquial diction and the city‑scape imagery - conveys internal conflict more forcefully than the classical, poetic prose.
D. The modern prose - its loose, conversational syntax, contemporary diction and the cliff‑top imagery - conveys internal conflict more effectively than Shakespeare's archaic style.

Correct Answer: A

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Question 24 View Details
In the stage direction for a scene from *A Streetcar Named Desire*, the director notes: "A single bare bulb flickers, casting long shadows across the room as Blanche speaks her monologue about the loss of Belle Reeve." Blanche's monologue contains the line: "I don't want to be looked at in this merciless light!" Identify two dramatic techniques employed in this moment, explain how they interact to reveal Blanche's psychological state, and predict the likely reaction of the audience to this combination.
A. The single bare bulb (set design) and Blanche's monologue about Belle Reeve work together; the dim lighting creates nostalgia, leading the audience to feel nostalgic sadness.
Correct B. The flickering bare bulb (lighting) and the spoken subtext about the "merciless light" work together; the harsh light exposes Blanche's vulnerability while the subtext reveals her fear of being seen, leading the audience to feel uneasy empathy and heightened tension.
C. The flickering bulb (sound design) and the line about the "merciless light" combine; the audible buzz underscores her fear, causing the audience to feel dread.
D. The lighting remains static and the monologue contains no subtext, so the audience stays detached and indifferent to Blanche's psychological state.

Correct Answer: B

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Question 25 View Details
Read the following paragraph from *To Kill a Mockingbird*: "When I was six, my brother Jem got his arm badly broken at the elbow. I was terrified, but I could not see why the world seemed so unfair. My father, Atticus, told me that sometimes people do not get what they deserve, and that we must try to understand them." Identify the narrative perspective used in this excerpt, and assess how this choice of perspective influences the reliability of the narration and the development of the novel's central theme of racial injustice.
A. Second‑person narrator; the direct address creates an unreliable narration and obscures the development of the racial injustice theme.
B. Third‑person omniscient narrator; the all‑knowing perspective makes the narration fully reliable but distances the reader from the theme of racial injustice.
C. First‑person adult narrator; the mature viewpoint provides a fully reliable narration, yet it diminishes the immediacy of the racial injustice theme.
Correct D. First‑person child narrator; the limited, innocent viewpoint makes the narration partly unreliable but authentic, and it allows the theme of racial injustice to unfold as Scout's understanding matures.

Correct Answer: D

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